The Urban Infill: Art in the Core event runs from this
Saturday to Tuesday. The gala “downtown wide” opening reception for the art
show and launch for Urban Infill is this Saturday at 7pm at the Definitely
Superior Galleries at 250 Park Avenue.
The DEFSUP gallery is a good place to start your tour of
Port Arthur, and hit the venues offering live music, dance
performances, a drag queen show, live window displays, along
with art featured in retail locations, including paintings, drawings, ceramics, wearable art, photography,
and sculpture. This is work
by members of the DEFSUP gallery, Lakehead University Visual Art student
graduates, Confederation College film and multi-media students, and the Die
Active Youth Collective. With an additional space provided by the former RBC
Bank, and other locations, there is an extra 10,000 square feet to display
work. Work from the Anishinabee Art Gallery will be displayed, along with shows
at Gallery 33, The Picture Store, and the Painted Turtle.
If you’re not sure where to start you can take advantage of the map and/or
the high energy “Performative Tour Guides.”
An event like this infuses people and hope into the north
core, an area that still suffers from ugliness and frightens some residents
away. With great restaurants and a couple more opening up, along with new
retail experiences and new prospects envisioned by city planners and
politicians, it’s very likely that businesses and landlords will do more to
help beautify the north core further.
The DEFSUP gallery’s commitment to infusing the arts into
the community performs a primary function of art, that of beautification. As
experimental, egalitarian, and short term as it might seem, this event has
resulted in a majority of the empty spaces it used in the past to “become
vibrant commercial shops and galleries.” So, as the title of the event
suggests, Urban Infill, does in fact fill in the spaces.
On a spiritual and emotional level, events like these bring
a needed alternative vibrancy to the city. It used to be, especially in Europe,
that the average literate citizen, businessperson and politician, intuitively
understood the benefits of mixing art and business.
Once artists did too, during the days when galleries didn’t
exist. They were employed for their ability to beautify, and focused less on
the emotional and introspective. Today our contemporary artists, whose goals
are very different from artists of the past, often claim business and marketing
an anathema to their goals, but they too are discovering the value of investing
themselves and their art into the community. Quid pro quo; and we all benefit.
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