Brian Holden is looking forward to his placement at the
Baggage Building at Prince Arthur’s Landing in the month of April. He excited
about big sinks, lots of light, and lots of floor space in which he will be
working and interacting with the public who can come in and try their hand at
printmaking. Working as a printmaker in Thunder Bay for nearly thirty years, and
twenty years as an arts educator for children and adults, Brian has extensive
experience. So, if you’ve never heard of such processes as intaglio, dry point,
and monotype, Brian will have materials, samples, and even tutorials on his
laptop available for your learning pleasure. He will also have his wonderful
work on display.
For a workshop in Dryden this weekend, and others Brian has
done in the past, funding comes from two programs; Northern Arts and Artist in
Education, branches of the Ontario Arts Council. For the latter, teachers choose
artists and workshops they wish to have in their school. Brian has also worked
extensively with CAHEP (Community Arts & Heritage Education Project). With
major funding cutbacks to the school system by previous provincial governments
this funding is very valuable to Northern communities, and helps keep
worthwhile artists like Brian in our area.
To suggest that artists would leave if they didn’t get
funding, sounds like an insult to the area, but what most artists know is that a
bigger city will have the infrastructure and population to support them as
artists. But Brian is bound to the land more than most of us artists. “I like
my trees and I like my rocks. They just don’t want to leave me. And of course
the landscape of the region that I live in, keeps motivating and inspiring me.
I keep thinking I’ll get sick of it, but it hasn’t happened. This is something
inbred. It’s a calling.”
Years ago, Brian was producing the most beautiful and delicate
little graphite drawings, much like the work of Renaissance artist, Albrecht
Durer. Brian shows equal passion for the printmaking processes in which he immerses
himself, learning as much as he can with materials that are as environmentally
friendly as possible.
With a New Works project grant from the OAC, Brian is
researching how plant and animal species at risk in the region are readapting,
relocating or disappearing altogether as a result of climate change. With
information obtained from the MNR and soon from members of the Field Naturalist
Association, Brian will head into the bush to make his own observations. He
wants to raise awareness of the changing diversity in the region, along with
the challenges of studying these changes, both due to Global Warming. Brian is
delving into themes of conservancy, environmentalism, and science based
knowledge in order to create a series of beautiful new miniature works.
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