Thursday, 17 August 2017

Welcome to the Ahnisnabae Art Gallery and Framing Shop


For his next book for which he received a good deal of funding and a sabbatical from his Swiss university, a travelling professor passed through our region recently to interview First Nations people across Canada. Digging into the truth regarding contemporary conditions and the culture of First Nations people he stopped in Thunder Bay where he interviewed several people including Louise Thomas, owner of the Ahnisnabae Gallery at 18 South Court Street. 
   For travelling profs and local writers Louise is a wonderful source of information regarding arts and artists in our region. With over three hundred artists represented and a continual interest to take on new artists and promote the legacy of her late husband and artist, Roy Thomas, the Ahnisnabae Art Gallery is a destination point for tourists and collectors from all over.  
     In business for twelve years this retail shop has an international following. Invested with the spirit of many people, the gallery offers a salon style display of many windows into other realities and approaches revealing talent where so many artists have taken up the challenge of expressing themselves, their communities, their history and their love of place and unique experiences. And what is wonderful about all this imagery and the pouring of soul and effort into these pieces is that you can take it with you, celebrate it and have it blend into the world you have at home. 
      The gallery sells paintings, sculpture, pottery, needlework, jewelry, soap, crafts, scarves, purses, cards and more. New products come in on a regular basis, made by individual artists and companies producing such items as limited edition paddles produced in Grand Marais employing Roy Thomas’ famous image titled, “We Are All In the Same Boat.” 
     A new line of products are coming where Roy’s images will be embossed on leather handbags, wallets, belts, and other wearable items specially created by a company in Southern Ontario. “Something comes in on a weekly basis,” says Louise, as she takes a breath revealing a bit of exasperation with the amount of work involved. 
     Working six days a week and doing her best not to come in on Sundays her relaxed manner is partly a result of pacing herself. In remission since November of 2015 Louise is not totally out of the clear from an agonizing bout of cancer and chemotherapy treatments. To help keep her clear Louise will be taking medicine for another five years. “I feel fine, great. Lot’s of energy,” she smiles, thriving in life and with the success she’s having.
   The North Core has already seen a boon for business and an influx of tourists and locals traipsing around exploring new shops. “Thank goodness for young people having vision and doing things,” says Louise. And when it is suggested that Louise move to a bigger city for bigger and better sales she explains, “Thunder Bay is a great city. It has everything a big city has. I’m known here, I’m established.”
     When moving her business to her current location at 18 Court Street from Westfort Louise declined to use entrepreneurial funds offered to her in order that more money could go to other indigenous businesspeople. “It’s been great being in this business for 12 years and doing it on my own without any funding.” And her business is growing. Last July was Louise’s best month. The picture framing has taken off. Louise’s son, Randy, following in his father’s footsteps is creating his own unique style of art which he sells through the gallery. Randy is also a picture framer fully dedicated to a museum standard quality. 
     Louise receives requests for business ventures through the Internet. She doesn’t buy art, selling work on consignment. She will do some appraising of art and research when necessary to ensure the work is original. 
    After being interviewed Louise welcomes a large group of Mexican students, some with indigenous ancestry who find some of the art and methods familiar to their own culture. Louise gives them a little tour and talk about the art and our indigenous North American community. When the group leaves an elderly gentleman, Michael DePerry, pulls his little tikanagans from a canister. Louise is immediately intrigued and she discussing taking on his work for the gallery.

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